Willem Stad 1873-1953 after Rembrandt - The prophetess Anna, Oil on canvas
Willem Stad 1873-1953 after Rembrandt - The prophetess Anna, Oil on canvas - detail 1
Willem Stad 1873-1953 after Rembrandt - The prophetess Anna, Oil on canvas Double click image to zoom
Old Master Paintings

Willem Stad 1873-1953 after Rembrandt

The prophetess Anna

Medium
Oil on canvas
Signed
signed at the reverse
Dimensions
60x50 cm
Price
€ 9.700 € 8.600
Provenance

Baron von Berkenhorst

Literature

p. Scheen P. 387

Additional Information

Amazing antique oil by Willem Stad 1873-1953, 

Women reading, the prophetess Anna.  After Rembrandts original from 1631 . It is generally thought that originally Rembrandts mother posed for it.

Willem Stad, 1873-1953. Dutch, was known for his paintings after the Dutch old masters and painted this work probably in the Rijksmuseum in the early 1900’s where for he was licensed. 

Other works by him are: 

“Streetview of Delft after Johannes Vermeer - Christie’s Amsterdam Oktober 8 1997 lot 57

Middelburg - Zeeland museum 

-inv.nr G1538 portret van Cornelis Citers (1521-1594)

-Inv.nr G1540 portret van Aernout Citers (1521-1634)

Rotterdam - tax museum

 Delft -Town hall -  Portait of King Willem III ( 1817-1890 )

                                -  Portrait of King Willem II ( 1792-1849 )


About the artist

Willem Stad 1873-1953 after Rembrandt 1873-1953

Willem Stad was a Dutch painter born in Nieuwer-Amstel on 12 August 1873 and active principally in Amsterdam, where he died in 1959. He is best known for fabulous copies and reconstructions after Dutch Old Masters, particularly works by Rembrandt and Johannes Vermeer, as well as for Amsterdam topographical views. Stad's practice reflects the late nineteenth- and early twentieth-century Dutch fascination with the Old Masters. He worked directly from museum examples and reproduced their compositions in oil, while also making watercolours and drawings of Amsterdam subjects. His copies after Rembrandt are characterised by close attention to tonal structure, restrained colour and the strong light-and-shadow contrasts associated with seventeenth-century Dutch painting. A signed copy of Rembrandt's Prophetess Anna, after the 1631 original, exemplifies this approach. Records also show Pray before dinner by Nicolaes Maes and The Street of Johannes Vermeer ( sold Christie's Amsterdam )A documented 1917 copy after Simon Dubois's portrait of Emerentia van Citters similarly demonstrates his interest in historical portraiture.

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